“IT IS GOING ON YOUR PERMANENT RECORD”

You may recall the words often used to frighten and discipline misbehaving school children — “It is going on your permanent record.”  Well, it was not only teachers who used this threat.  It has long been practiced in Eastern Orthodox iconography as well.

Today we will look at an icon type more often found in fresco than in painted panel form  Here is a rare example of the latter:

(Gian Pietro Serra Collection)

It obviously depicts two angels holding scrolls, but to find out who they are, we must read the title inscription at the top:


ѠБРАЗ АНГЕЛА ВХОДЯЩИХЪ И IСХОДЯЩИХЪ
OBRAZ ANGELA VKHODYASHCHIKH” I ISKHODYASHCHIKH

“IMAGE OF THE ANGEL [of those] ENTERING AND [those] LEAVING.”

You may recall that some time ago we looked at frescos of the angel or angels painted at the entrance to Russian churches, who record the names of those entering the church:

https://russianicons.wordpress.com/2017/08/14/taking-names-and/

Well, this icon is another and smaller version of that.  Though sometimes the standing angel at the left is called Michael (and he may also carry a sword), and the (usually seated) angel at the right Gabriel, in other examples they may be anonymous, as are the angels in this painted panel example.

In it, we see the recording angels that note down the names and disposition of those who enter and those who leave the church — whether they are present, and whether they enter in a reverent manner, and whether they leave earlier than appropriate.

As you see, each angel in the icon holds a scroll, but instead of simply listing names, the scrolls in this example bear pious inscriptions.

Here is the angel at left:

His scroll reads (I am putting it in the modern Russian font):

Радуйтеся и веселитеся, яко мзда ваша мн[ога на небесех].

Raduitesya i veselitesya, yako mzda vasha mn[oga na nebesekh].

It is the first words of Matthew 5:12:

“Rejoice, and be exceeding glad: for great is your reward in heaven.”

Here is the angel on the right:

He has a pen in hand, and he has written:

Радуйтеся, пра…

It is the beginning of Psalm 33:1 (Psalm 32:1 in Western numbering):

Радуйтеся, пра[веднии, о Господе: правым подобает похвала].
Raduitesya, pra[vednii, o Gospode: pravuim podobaet pokhvala].

“Rejoice in the Lord, O you righteous: for praise is comely for the upright.”

The motif of an angel with a scroll is called — sensibly enough — Ангел со свитком/Angel so svitkom — “The Angel with a Scroll.”

An icon from the Blagovyeshchenie (Annunciation) Monastery in Murom shows an “Angel with a Scroll,” and the  title inscription identifies it as the angel seen in the vision of “Holy Father Ammon,”  who saw “the Angel of the Lord Sitting and Writing Names of Those Entering the Church of God.”
(Murom History and Art Museum)

This relates to the old tale that the Egyptian monk-priest Ammon was given the ability to see spiritual things.  Once during the Eucharist, he saw an angel near the altar who was writing down the names of those present, and crossing out the names of the absent monks.

The scroll of the Murom angel reads:

“The Angel of the Lord Writes Down the Names of Those Entering the Church of the Lord ….”

Sometimes the inscription is a bit longer:

Ангел Господень написует имена входящыя в церковь Господню со страхом, и с верою.
ANGEL GOSPODEN’ NAPISUET IMENA VKHODYASHCHUIYA V TSERKOV’ GOSPODNIU SO STRAKHOM I S VEROIU.

“The Angel of the Lord writes down the names of those entering the Church of the Lord with Fear and with belief.”

As mentioned in my earlier posting, a single recording angel is sometimes simply known as the Ангел храма — Angel Khrama — “Angel of the Church.”  It is believed that this angel becomes the protector of a church when it is consecrated, and remains on duty there until the Second Coming — even, it is said, if the church is destroyed.  Such an angel may be depicted as standing or sitting, recording on his scroll the names of those entering the church, noting those absent or late or leaving early, so that he may give his report on them at the Last Judgment.

It is written in the Spiritual Meadow that Abba Leontios — the priest of the coenobitic Monastery of St. Theodosios — reported:

“Once on Sunday I came to church to celebrate the Holy Mysteries.   On entering the temple, I saw an angel standing at the right side of the throne [the altar]. Horrified, I retired to my cell. And there came a voice to me: ‘Since this throne was consecrated, I am commanded to be with it all the time.'”

Now obviously there is a relationship here to the standard image of the Guardian Angel in icons, who follows each person through life, recording his deeds.  Sometimes the iconography of the two becomes mixed, particularly when the angel writing on a scroll is simply called “The Angel with a Scroll.”

TAKING NAMES AND….

At the entrance to old Japanese Buddhist temples, there were often two guardian deities.  Here is a pair dating from the Kamakura Period (13th-early 14th century):

I always think of such guardian deities when I see the two angels painted at the entrance to Orthodox Churches in Slavic countries.  These are the “Ангелы Господни, записывающие имена входящих в храм” — the “Angels of the Lord, Recording the Names of Those Entering the Church.”

When both are found (sometimes there is only one), the angel on the left (in Slavic countries) of the entry is the Archangel Michael (Mikhail), as seen here in the Church of Simeon the God-receiver at the Zverin Monastery of Novgorod.:

He threateningly holds a sword in his right hand, and a scroll in his left.

In the Greek Painter’s Manual (Hermineia) of Dionysios of Fourna, we find this:

Inside the door of the temple, on the right, the Archangel Michael; He holds a sword and a scroll with these words:  ‘I am a soldier of God, and armed with a sword. Those who enter here with fear, I defend them, I guard them, I protect them and I observe them; But those who enter with an unclean heart, I strike them mercilessly with this sword.

Sometimes in Slavic Churches, Michael’s scroll reads:

Простираю меч мой на приходящих в чистый дом Божий с нечистыми сердцами.
“I extend my sword to those who enter the pure house of God with impure hearts.”
Again, in Slavic Churches, Gabriel (Gavriil) is commonly on the right side of the entrance, though Dionysios of Fourna writes:
On the left, Gabriel holds a scroll, and writes these words with a reed: ‘I write with this reed the internal disposition of those who enter here; I take good care of the good, but I cause the bad to perish promptly.'”
Here are much more recent versions of the two Archangels, as seen in the Church of St. Kirill in Kiyev, Ukraine.
Michael at left:
And Gabriel at right:
As mentioned earlier, some churches have only a single recording angel, who is sometimes simply known as the Ангел храма — Angel Khrama — “Angel of the Church.”  It is believed that this angel becomes the protector of a church when it is consecrated, and remains on duty there until the Second Coming.  Such an angel may be depicted as standing or sitting, recording on his scroll the names of those entering the church, so that he may give his report on them at the Last Judgment.
Now obviously there is a relationship here to the standard image of the Guardian Angel in icons, who follows each person through life, recording his deeds.  Sometimes the iconography of the two becomes mixed, particularly when the angel writing on a scroll is simply called Ангел со свитком/Angel so svitkom — “The Angel with a Scroll.”
An icon from the Blagovyeshchenie (Annunciation) Monastery in Murom shows an “Angel with a Scroll,” and the  title inscription identifies it as the angel seen in the vision of “Holy Father Ammon,”  who saw “the Angel of the Lord Sitting and Writing Names of Those Entering the Church of God.”
(Murom History and Art Museum)
This relates to the old tale that the Egyptian monk-priest Ammon was given the ability to see spiritual things.  Once during the Eucharist, he saw an angel near the altar who was writing down the names of those present, and crossing out the names of the absent monks.