Here is an 18th century Greek icon:
The title — which you should be able to read on your own if you have followed past postings here — is:
Ὁ ἉΓΙΟς ΑΝΤΙΠΑC
Ho Hagios Antipas
“The Holy Antipas.”
This Antipas is the Hieromartyr (Priest-martyr) Antipas of Pergamum — traditionally the go-to saint for those suffering from toothache.
In this icon he is a serious-looking fellow:
He holds an open book of the Gospels. Usually we find book texts in Greek icons written in upper case letters, but this inscription includes lots of lower case, rather cursive letters:
Don’t let it worry you. Cursive inscriptions, when clearly written, are not that difficult; and in fact we have already seen this inscription on an icon of St. Nicholas:
Ἐγώ εἰμι ἡ θύρα· δι’ ἐμοῦ ἐάν τις εἰσέλθῃ, σωθήσεται, καὶ εἰσελεύσεται καὶ ἐξελεύσεται, καὶ νομὴν εὑρήσει.
Ego eimi he thura: di emou ean tis eiselthe, sothesetai, kai eiseleusetai kai exeleusetai, kai nomen euresei.
It is from John 10: 9:
” I am the door: by me if anyone enters in, he shall be saved, and shall go in and out, and find pasture.”
This inscription adds to that earlier text, continuing with the beginning of John 10:10:
ὁ κλέπτης οὐκ ἔρχεται εἰ μὴ ἵνα κλέψῃ [καὶ θύσῃ καὶ ἀπολέσῃ· ἐγὼ ἦλθον ἵνα ζωὴν ἔχωσιν καὶ περισσὸν ἔχωσιν].
Ho kleptes ouk erkhetai ei me hina klepse [kai apolese. ego elthon hina zoen ekhosin kai perisson ekhosin.
“The thief comes not but to steal [and kill, and destroy: I am come that they might have life, and have it more abundantly.]”
As one often finds on Greek icons, there are two inscriptions at the base. Here is the first:
ΧΕΙΡ κονσταντινου του κονταρινε
KHEIR Konstantinou tou Kontarine
“[The] Hand of Konstantinos Kontarines”
That is the painter’s signature. He lived from 1699-1738, and we see the date 1738 above the end of the signature.
And here is the second:
ΔΕΙCΙC ΤΟΥ ΔΟΥΛΟΥ ΘΕΟΥ ΜΙΧΑΗΛ CΠΑΝΟΥ
DEISIS TOU DOULOU THEOU MIKHAEL SPANOU
“Prayer of the Servant of God Mikhael Spanos.”
That is the standard form giving the name of the patron who had the image painted.
As for the subject of the icon, according to hagiographic tradition (which we know is generally quite unreliable), Antipa was a disciple of John the Theologian (the supposed Evangelist John), and was bishop of the city of Pergamum during the reign of the Roman Emperor Nero (54-68 c.e.).
Antipa is said to have preached against the worship of the traditional gods, irritating the priests of the older religion. When he persisted and refused to venerate the Gods, the priests are said to have taken him to the Temple of the goddess Artemis, where he was placed inside a hollow, red-hot copper image of a bull/ox. That is what we see in this image:
The inscription reads:
ΜΑΡΤΥΡΙΟΝ ΤΟΥ ἉΓΙΟΥ ἹΕΡΟΜΑΡΤΥΡΟC ΑΝΤΙΠΑ
MARTYRION TOU HAGIOU HEROMARTYROS ANTIPA
“Martyrdom of the Holy Priest-martyr Antipas.”
Christians retrieved his supposedly unburnt body, and placed it in a tomb in Pergamum, which later became a pilgrimage site for those seeking healing of illnesses.
Antipas of Pergamum, because of his supposed help with tooth problems, was very popular in Russia as Антипа Пергамский — Antipa Pergamskiy, and is a common subject not only in painted icons, but also in large numbers of cast metal icons.