The medieval mindset is not dead.
If you happened to be passing a window, and noticed that the glass was distorted with colorful blobs like oil on water — perhaps something like this…
That is the icon painted “from” the window blobs. The blobs appeared — or at least were first noticed — on a window at the Church of the Martyr John the Warrior in Novokuznetsk, Siberia, in the year 2000.
Now as one can see, this is rather like a Rorschach test, in which what one sees in random ink blots depends on one’s personal psychological makeup. Where an ordinary person will see blobs of color or variations in shading — whether on a window, a water-stained wall, or a burnt tortilla, a believer with a medieval mindset will see a miracle. And that is what happened in this case. The blobs on the window were considered a miraculous appearance, and when three years later a believer in the city of Kemerov claimed to have had a vision relating that an icon was to be painted from the “image” on the window, it was done by an iconographer named Vladimir Shubenkin. And now that image is becoming increasingly popular in Russia as a new “miraculous” Marian icon known as the Чаша терпения/Chasha Terpeniya — “The Cup of Patience.”
It was even given an interpretation — that the icon represents the child Jesus being shown the “cup of suffering” representing his future Passion (arrest, torture, crucifixion and death), and so the child is to “drink the sins of humanity.”
Now to be fair, not everyone — even among Russian Orthodox clergy — accepts this new image at present as authentically “miraculous.” But many do, just as some Roman Catholic believers in the town of Rosenberg, near Houston, Texas, saw an appearance of an image of Mary in the pattern on the bricks of a rented house, visible when the porch light was turned on. That happened as recently as February of 2019, and local believers there have been gathering to pray before the supposedly “miraculous” image of Mary.
This kind of medieval mindset explains a great deal about the history of various”miraculous” icons in Eastern Orthodoxy, and the pre-scientific thinking that gave rise to them. The Swiss psychoanalyst Carl Jung would likely say that such people are “projecting” their inner fantasies onto the outer, quite ordinary reality of wall or glass window, so what they are seeing is not what is really there, but rather what is in their own internal imaginations, given outer form by random patterns. People have an innate tendency to place their own interpretations upon such patterns, as we see in the names and forms given star constellations from ancient times to the present.