There are some Marian icons that one recognizes easily and immediately (if one is generally familiar with Marian icons), and one of these is the “Andronikov” icon — Андрониковская — Andronikovskaya, also called the Греческая- Андроникова — Grecheskaya-Andronikova — the “‘Greek’-Andronikov” image.
Here is a typical example, which though lithographed, is nonetheless an old presentation icon from about 1900, set into a silver and also velvet frame.
Russian examples of this icon commonly date from the latter 19th-early 20th century. It is recognized easily by the distinctive crown worn by Mary, and by the slight inclination of her head to the right.
At the bottom of the image was a knife case containing a bone-handled steel knife, said to have been used by a Turk in attacking the image, causing a cut on the neck which bled; the wound is visible in copies of the image. This notion of an icon bleeding when cut is one of the standard old motifs we encounter in these often fanciful origin stories, which again reflects how icons were traditionally regarded in pre-modern thinking — as persons that could move about on their own volition and even bleed.
It is said that the original icon (yes, it is another of those wishfully but falsely attributed to the hand of St. Luke) was a family icon of the Byzantine Emperor Andronikos III Palaiologos (1297-1341). He is said to have given it to a monastery on the peninsula of Monemvasia, which was in the southern Greek region then called Morea, but more classically known as the Peleponnese.
In 1821 when the Ottoman Turks attacked Greece, the head of the monastery fled with the icon to the city of Patras. He bequeathed the icon to a relative who happened to be the Russian Consul General, N. I Vlassopoulos. The Consul General’s son, A. N. Vlassopoulos, sent the icon in 1839 to Odessa and on to the Emperor of Russia, Nikolai Pavlovich (Nicholas I, ruled 1825-1855). For almost thirty years it was in the Winter Palace in St. Petersburg, then several years in the Trinity Cathedral, and in 1877 it was taken to the Kazan Convent near the town of Vuishny Volochok, in Tver Province. There it was placed in a special kiot (icon case) in the monastery church. A special gathering of pilgrims used to be held before it three times a year.
In 1984 the Andronikov icon was stolen, and its whereabouts remain unknown.
The Greek inscription on the image begins Η ΚΥΡΙΑ ΤΟΥ ΑΝΔΡΟΝΙΚΟΥ ΑΥΤΟΚΡΑΤΟΡΟΣ — He Kyria tou andronikou autokratoros … “The Lady of Andronikos, Autocrat…,” referring to Emperor Andronikos III Palaiologos, the donor to the Monemvasia monastery (the icon is sometimes also known as the “Monemvasia” icon). Αυτοκρατορος — Autokratoros — “autocrat” was the title used by Byzantine emperors, somewhat the equivalent of the Latin Imperator — “Emperor.”